USM 69 i
Features:

  • Switchable stereo microphones
  • Two pressure-gradient transducers with double membrane capsules
  • MS- or XY-stereophony
  • Capsules rotary by 270°
  • Very low noise
  • Aperture and pick-up angles freely choosable
  • Directional characteristics reproducably switchable, omni, wide angle cardioid, cardioid, hypercardioid






U 89 i
Features:

  • Variable large diaphragm microphone
  • Pressure-gradient transducer with double membrane capsule
  • Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid,
  • Thereby most versatile in all recording situations
  • Two-stage roll-off filter
  • Switchable 10 dB pre-attenuation
  • Extended frequency range in comparison to U 87 Ai





U 87 Ai
Features:

  • Variable large diaphragm microphone
  • Pressure-gradient transducer with double membrane capsule
  • The studio microphone classic
  • Three directional characteristics: omni, cardioid
  • Switchable low frequency roll-off
  • Switchable 10 dB pre-attenuation
  • Ideal as main and as support microphone in the most differing recording situations




TLM 50-S
Features:

  • Small diaphragm microphone with omnidirectional pattern
  • Successor of the world-wide successful M 50
  • Excellent response down to lowest frequencies
  • Pressure transducer
  • High frequency polar pattern similar to pressure gradient transducer
  • Set includes cable and auditorium hanger






TLM 49

Features:
  • Sound profile optimized for vocal performance
  • Pressure gradient transducer with the large-diaphragm capsule of the legendary U 47
  • Cardiod characteristic
  • Retro design
  • Transformerless output circuitry
  • Acoustically very open wire mesh headgrille
  • Complete set with elastic suspension








TLM  193
Features:

  • Large diaphragm cardioid microphone
  • Pressure-gradient transducer
  • Transformerless circuitry
  • Extremely low noise: 10 dB (A)
  • Includes swivel mount
  • The "plug and play" microphone for professional studios, musicians and homerecording applications
  • High-quality professional equipment for mid-size budgets





TLM 170 R
Features:

  • Local and remote controlled large diaphragm microphone
  • Pressure-gradient transducer with double membrane capsule
  • Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid,
  • Patented circuitry for remote and local switching of directional characteristics
  • Switchable low frequency roll-off and 10 dB preattenuation
  • Tiltable, elastically suspended bracket mount




TLM 127
Features:

  • New double membrane capsule, based on K 103
  • Switchable to omni and cardioid + remotely controllable polar pattern (wide angle cardioid, hypercardioid)
  • Switchable preattenuation, switchable low-cut filter
  • Extremely low noise: 8 dB(A)
  • High SPL capability: 140 dB
  • Elastic suspension included





TLM 103
Features:
  • Large diaphragm cardioid microphone
  • Pressure gradient transducer with with one-diaphragm capsule
  • Transformerless circuitry
  • Extremely low noise: 7 dB-A
  • Includes swivel mount
  • Straightforward handling for homerecording and professional studios
  • High-quality professional equipment for limited budgets





System KM 100
Features:

  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories






SKM 150
Features:

  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories






SKM 140
Features:

  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


SKM 100
Features:

  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


Series 180
Features:

  • Three different miniature microphones for all typical studio applications
  • Nachfolger der weltweit erfolgreichen KM 83/84
  • Transformerless circuitry
  • Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)
  • Set includes windshield and two different microphone clamps



RSM 191 A-S
Features:

  • Variable stereo shotgun microphone with shotgun and figure-8 patterns
  • Interference/pressure-gradient transducer
  • MS-stereo microphone, switchable to XY-stereophony
  • Transformerless circuitry
  • Switchable low frequency roll-off and switchable 10 dB preattenuation
  • Set with case and accessories
  • Battery or phantom powering



M 150 Tube
Features:

  • All Titanium capsule
  • Unparalleled transient accuracy
  • Pressure omni capsule for extended low frequency response
  • Modern version of the world-famous M 50
  • Transformerless tube amplifier based on the award-winning M 149 Tube microphone
  • Ideal for DECCA tree recording and surround miking techniques
  • Very low self noise of 15 dB-A
  • Stereo sets with consecutive serial numbers


M 149 Tube
Features:

  • Switchable tube microphone
  • Transformerless circuitry
  • High output level
  • Pressure gradient transducer with the M 49 capsule
  • Acoustically very open wire mesh cage
  • Nine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure 8, and one intermediate position each
  • 7fold switchable low frequency roll-off


M 147 Tube
Features:

  • Universal tube microphone
  • Pressure gradient transducer with the large diaphragm capsule from the legendary U 47 and M 49
  • Transformerless circuitry
  • Low self noise level
  • Comes with swivel stand mount made of metal, universal power supply, and cable in an attractive aluminium case


KU 100
Features:

  • Dummy head for head-related stereophony
  • Pressure transducer with flat diffuse-field frequency response
  • Loudspeaker compatible
  • Transformerless circuitry
  • Two-stage switchable low frequency roll-off
  • Switchable 10 dB preattenuation
  • Balanced and unbalanced outputs (XLR and BNC)


KMS 104/105


Features:

  • Neumann sound on stage
  • Excellent transparency for vocals/speech
  • Cardioid/Supercardioid polar pattern with excellent feedback rejection
  • Without off-axis coloration
  • Transformerless output
  • Effective pop shielding without any side effects
  • Set includes stand clamp



KMR 82 i


Features:

  • Interference tube microphone with shotgun directional characteristic
  • Interference/pressure-gradient transducer
  • High lateral and back attenuation
  • 45°-recording angle
  • Switchable filter or preattenuation features
  • Extensive accessories for outdoor use
  • Light weight: 250 g



KMR 81 i


Features:

  • Interference tube microphone with shotgun directional characteristic
  • Interference/pressure-gradient transducer
  • High lateral and back attenuation
  • 90°-recording angle
  • Switchable filter or preattenuation features
  • Extensive accessories for outdoor use
  • Light weight: 145 g






KM D

Features:

  • TRUE NEUMANN SOUND: The legendary Neumann sound in the digital realm. Pure Neumann capsule sound.
  • TRUE TO THE ORIGINAL: The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system.
  • TRUE CONVERSION: The guarantee of having one of the best
    A/D converters available.
  • TRUE HANDLING SAFETY: Anti-clipping processing ensures handling safety, and reduces stress.
  • TRUE TIME SAVINGS: Reduced time requirements and personnel costs,
    particularly due to faster post production processing.
  • TRUE ECONOMY: Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van).



KM 185 D

Features:

  • TRUE NEUMANN SOUND: The legendary Neumann sound in the digital realm. Pure Neumann capsule sound.
  • TRUE TO THE ORIGINAL: The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system.
  • TRUE CONVERSION: The guarantee of having one of the best
    A/D converters available.
  • TRUE HANDLING SAFETY: Anti-clipping processing ensures handling safety, and reduces stress.
  • TRUE TIME SAVINGS: Reduced time requirements and personnel costs,
    particularly due to faster post production processing.
  • TRUE ECONOMY: Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van).




KM 184 D
Features:

  • TRUE NEUMANN SOUND: The legendary Neumann sound in the digital realm. Pure Neumann capsule sound.
  • TRUE TO THE ORIGINAL: The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system.
  • TRUE CONVERSION: The guarantee of having one of the best
    A/D converters available.
  • TRUE HANDLING SAFETY: Anti-clipping processing ensures handling safety, and reduces stress.
  • TRUE TIME SAVINGS: Reduced time requirements and personnel costs,
    particularly due to faster post production processing.
  • TRUE ECONOMY: Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van).




KM 183 D
Features:

  • TRUE NEUMANN SOUND: The legendary Neumann sound in the digital realm. Pure Neumann capsule sound.
  • TRUE TO THE ORIGINAL: The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system.
  • TRUE CONVERSION: The guarantee of having one of the best
    A/D converters available.
  • TRUE HANDLING SAFETY: Anti-clipping processing ensures handling safety, and reduces stress.
  • TRUE TIME SAVINGS: Reduced time requirements and personnel costs,
    particularly due to faster post production processing.
  • TRUE ECONOMY: Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van).


KM 185


Features:

  • Three different miniature microphones for all typical studio applications
  • Nachfolger der weltweit erfolgreichen KM 83/84
  • Transformerless circuitry
  • Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)
  • Set includes windshield and two different microphone clamps



KM 184
Features:

  • Three different miniature microphones for all typical studio applications
  • Nachfolger der weltweit erfolgreichen KM 83/84
  • Transformerless circuitry
  • Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)
  • Set includes windshield and two different microphone clamps


KM 183
Features:

  • Three different miniature microphones for all typical studio applications
  • Nachfolger der weltweit erfolgreichen KM 83/84
  • Transformerless circuitry
  • Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)
  • Set includes windshield and two different microphone clamps


KM 150


Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories



KM 145
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


KM 143
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


KM 140
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


KM 131
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


KM 130
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories


KM 120
Features:
  • Miniature microphones with 7 exchangeable capsules
  • Active capsules, detachable up to 50 m from the output stage
  • Great variability through capsule extensions and goosenecks
  • Switchable 10 dB preattenuation
  • Set includes windshield and two different clamps
  • Transformerless circuitry
  • Extensive accessories





KK 104/105 S

Features:
  • Neumann capsule head engineering expands with Sennheiser liveperformance engineering
  • Cardioid (KK 104 S) and Supercardioid (KK 105 S) characteristic
  • Low susceptibility to handling noise
  • Built-in, highly effective suppression of popping noises
  • Easy dismantling for cleaning
  • Pure, open, and neutral sound transmission







GFM 132



Features:
  • Boundary layer microphone
  • Pressure transducer
  • Frequency independent hemispherical directional characteristic
  • Identical diffuse- and free-field response
  • No angle dependent coloration through patented triangular form
  • No comb filter effects
  • Insensitive to structure-borne noise


D-01
Features:
  • Extremely wide dynamic range: more than 130 dB
  • Neumann A/D conversion process
  • Pre-amps and external A/D converter are no longer necessary
  • Wide range of new functions through integrated digital signal processing
  • Control and monitoring of all microphone parameters and functions through Remote Control Software




BCM 705

Features:
  • Dynamic capsule
  • Hypercardioid directional characteristic
  • Characteristic, functionally optimized design*
  • Integrated, neutral pop protection
  • Integrated elastic suspension
  • Individual headgrilles for different users
  • Colored rings to identify the replacement headgrilles
  • Easy removal and cleaning of microphone headgrille (with bayonet mount)
  • Mechanical compatibility with standard studio boom arms
  • Multi-level isolation from structure-borne noise
  • No power supply required


BCM 104


Features:
  • Large-diaphragm condenser capsule
  • Cardioid directional characteristic
  • Characteristic, functionally optimized design*
  • Integrated, neutral pop protection
  • Integrated elastic suspension
  • Individual headgrilles for different users
  • Colored rings to identify the replacement headgrilles
  • Easy removal and cleaning of microphone headgrille (with bayonet mount)
  • Mechanical compatibility with standard studio boom arms
  • Internal switches: high-pass and pre-attenuation